For both Where The Wild Things Are and The Fantastic Mr Fox are on Spotify now. Go listen!

Where The Wild Things Are is something of a primary school symphony, credited to Karen O and the Kids; that is, the idiosyncratic Yeah Yeah Yeahs frontwoman, accompanied by a choir or rugrats. Simple, almost Kimya Dawson-like acoustic guitars rule mostly, but we do get flourishes of basic lines of xlophone plinking and strings plonking. Thoroughly enjoyable, and makes me look forward to the film even more (can’t quite get over the fact that the US get it today, everyone else has to wait for December…)

The Fantastic Mr Fox is scored mostly by French composer Alexander Despalt, and the inclusion of Nancy Adams’ “Love” from the 1970s Disney Robin Hood film serves as a good reference point to the sound Despalt evokes; that of classic children’s films from back in the day, adding to the overall somewhat old fashioned and anachornistic feel Wes Anderson seems to be going for in the film (well, all his films). And we get some obligatory Beach Boys and Stones tracks, always welcome (if expected by now).
Oh, and the new banjo-lead song by Jarvis on the album is brills, if brief.

